In a spiral movement, “Exodus” is a painting of an asbrait landscape, inspired by population movements, whether political or climatic refugees, as well as the movement of populations within a territory itself.
 At its center, the broth of life, almost chaotic, of shapes tangled one on top of the other. Then the more we move away from it, the more harmonious they are. We find plots in the countryside, the inhabitants at the foot of the mountains who follow this dynamic, projected outwards.